{"id":2500,"date":"2012-11-15T13:50:03","date_gmt":"2012-11-15T13:50:03","guid":{"rendered":"http:\/\/aulas.pro.br\/paulo\/?p=2500"},"modified":"2012-11-15T13:50:03","modified_gmt":"2012-11-15T13:50:03","slug":"steven-heller-on-a-1920s-30s-design-magazine","status":"publish","type":"post","link":"https:\/\/paulopedott.com\/paulo\/?p=2500","title":{"rendered":"Steven Heller on a 1920s-\u201930s Design Magazine"},"content":{"rendered":"<p><a href=\"http:\/\/imprint.printmag.com\/daily-heller\/design-is-this-and-that\/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=design-is-this-and-that\">Steven Heller on a 1920s-\u201930s Design Magazine<\/a>.<\/p>\n<div>\n<h1>Design Is This and That<\/h1>\n<p>by\u00a0STEVEN HELLER\u00a0on\u00a0<abbr title=\"2012-11-08\">NOVEMBER 8, 2012<\/abbr><\/p>\n<\/div>\n<div>\n<p>Design\u00a0magazine, published by the Keramic Studio Publishing Company in the 1920s and &#8217;30s, was aimed at the Sunday designer who wanted to design throughout the week. But\u00a0design\u00a0was used in the broadest manner\u2014in fact, in a very healthily broad manner, covering everything from ceramics (what we call crafts) to watercolor (what we call art) to bookplates (what we call graphic design).<\/p>\n<p><a href=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag.png\" alt=\"\" width=\"492\" height=\"616\" \/><\/a><\/p>\n<p>The magazine sold to teachers as well. This was an era when art was viewed as an alternative outlet to the depression of the Depression and a possible way out of the economic doldrums. Of course, this magazine evolved into the hobby pubs still published today. In their day, they made an even bigger difference.<\/p>\n<p><a href=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy-4.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy-4.png\" alt=\"\" width=\"492\" height=\"752\" \/><\/a><a href=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy-2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy-2.png\" alt=\"\" width=\"492\" height=\"660\" \/><\/a><a href=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy-3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy-3.png\" alt=\"\" width=\"492\" height=\"671\" \/><\/a><a href=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/imprint.printmag.com\/wp-content\/uploads\/design-mag-copy.png\" alt=\"\" width=\"492\" height=\"616\" \/><\/a><\/p>\n<p>.<\/p>\n<p>For insight into contemporary magazine design, download the webcast\u00a0<a href=\"http:\/\/www.mydesignshop.com\/master-class-redesigning-a-legendary-brand-designcast\/?lid=MCimbf110812\">Redesigning a Legendary Brand<\/a>, by the\u00a0New York Times Magazine&#8217;s design director, Arem Duplessis.<\/p>\n<\/div>\n<p>Read more:\u00a0<a href=\"http:\/\/imprint.printmag.com\/daily-heller\/design-is-this-and-that\/#ixzz2CIR6mjWd\">Steven Heller on a 1920s-\u201930s Design Magazine<\/a><br \/>\nFor great design products, visit our online store:\u00a0<a href=\"http:\/\/www.mydesignshop.com\/?r=ImpTynt\" target=\"_blank\">MyDesignShop.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steven Heller on a 1920s-\u201930s Design Magazine. Design Is This and That by\u00a0STEVEN HELLER\u00a0on\u00a0NOVEMBER 8, 2012 Design\u00a0magazine, published by the Keramic Studio Publishing Company in the 1920s and &#8217;30s, was aimed at the Sunday designer who wanted to design throughout the week. But\u00a0design\u00a0was used in the broadest manner\u2014in fact, in a very healthily broad manner, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,1],"tags":[],"class_list":["post-2500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","category-mix"],"_links":{"self":[{"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/posts\/2500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2500"}],"version-history":[{"count":3,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/posts\/2500\/revisions"}],"predecessor-version":[{"id":2508,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/posts\/2500\/revisions\/2508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=\/wp\/v2\/media\/3182"}],"wp:attachment":[{"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paulopedott.com\/paulo\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}